An East Coast lawyer (Gary Merrill) learns that his wife has been unfaithful. After a month of stressful uncertainty, he is unable to keep going in his marriage, and, despite pleas from his wife, decides to take a trip to Los Angeles to think things through. He gets on a plane that makes several stops along the way, and, because of inclement weather, there are delays and waits in waiting rooms and restaurants, where he strikes up conversations with three other travelers, a struggling actress (Shelley Winters), an alcoholic doctor (Michael Rennie), and a clownish traveling salesman (Keenan Wynn). While talking to his fellow passengers, he learns intimate details of their lives, their loves, their personal tragedies and failures. They become bound by the confidences and promise each other that they will meet again in the future to see what life has brought them. The plane crashes near LA, and the lawyer is the only survivor of the four. In his hotel room after being patched up in a hospital he reaches into his pocket, finds the addresses and names that had been given to him, and he feels the need to contact the families of the deceased in order to share details about what the three were thinking and planning during their last day of life. In his three separate visits he learns more about the lives of the deceased, and while sharing what he knows he does bring comfort and closure to the families. In the process, his own views on love, forgiveness, success and a life well lived are transformed.
jolan a écrit:HOCHET Gabriel a écrit:jolan a écrit:Il passe lundi sur TCM : http://tcmcinema.fr/films/fiche/le-seig ... erre-95077
PUTAIN..... Trop trop fort, là le jolan...... Je crois bien que c’est ça....
La star que j’arrivais pas à situer, il me semble bien maintenant que c’est Charlton Heston.
Donc, lundi qui viens, sur TCM....
C’est marrant, il suffit de parler d’un truc... Et mes potes qui me rabâchent que j’ai le cul bordé de nouilles.....
Jolan....
You're welcome mon ancien traiteur de con
Mais à partit du moment où tu venais de retrouver le titre, ce n'était plus si compliqué que cela, et comme je viens de m'abonner à TCM, je l'ai vu il y a une dizaine de jours...
rahoul a écrit:ben déjà faut leur laisser le temps de vieillir pour juger de leur impact...
mais je reconnais que la reprise de " plein soleil " ou " 3h10 pour Yuma " tiennent trés bien la route...
MacCabbe a écrit:rahoul a écrit:ben déjà faut leur laisser le temps de vieillir pour juger de leur impact...
mais je reconnais que la reprise de " plein soleil " ou " 3h10 pour Yuma " tiennent trés bien la route...
Heeeeeuuuuuuuuu ! La paix de Rahoul t'a tapé un poil fort sur le crâne. Moi j'ai trouvé ça plus que médiocre, le remake de 3:10. C'était pas vraiment utile de le refaire, surtout pour faire ça...
Et Plein Soleil, c'est quoi ? Je n'arrive pas à remettre la main sur le titre original...
Coldo3895 a écrit:J'ai cherché un peu sur IMDb, Phone Call from a Stranger pourrait correspondre. Pourvu que les années t'aient fait un peu mélanger l'histoire...An East Coast lawyer (Gary Merrill) learns that his wife has been unfaithful. After a month of stressful uncertainty, he is unable to keep going in his marriage, and, despite pleas from his wife, decides to take a trip to Los Angeles to think things through. He gets on a plane that makes several stops along the way, and, because of inclement weather, there are delays and waits in waiting rooms and restaurants, where he strikes up conversations with three other travelers, a struggling actress (Shelley Winters), an alcoholic doctor (Michael Rennie), and a clownish traveling salesman (Keenan Wynn). While talking to his fellow passengers, he learns intimate details of their lives, their loves, their personal tragedies and failures. They become bound by the confidences and promise each other that they will meet again in the future to see what life has brought them. The plane crashes near LA, and the lawyer is the only survivor of the four. In his hotel room after being patched up in a hospital he reaches into his pocket, finds the addresses and names that had been given to him, and he feels the need to contact the families of the deceased in order to share details about what the three were thinking and planning during their last day of life. In his three separate visits he learns more about the lives of the deceased, and while sharing what he knows he does bring comfort and closure to the families. In the process, his own views on love, forgiveness, success and a life well lived are transformed.
Brian Addav a écrit:le talentueux mr ripley avec damon et jude law...
et là aussi ça a tapé fort sur le crâne...
poutré!
Brian Addav a écrit:tiens, du coup, un vieux film en couleur, style peplum ou film de corsaire/pirate, avec une histoire d'amour impossible, je sais pas trop quoi, l'attaque finale d'un fort dans le désert, et le héros, ou l'héroïne qui meurt emprisonné(e), le sable la recouvre, on est voit dans le générique sa main toujours sortir du sable, avec une bague, qui se transforme en squelette...
ça te dit qq chose ?
rahoul a écrit:Brian Addav a écrit:le talentueux mr ripley avec damon et jude law...
et là aussi ça a tapé fort sur le crâne...
poutré!
vi c'est ce film là, j'aurai du préciser...
meme avec une poutre, meme po mal !
et comme je le disais précédement: " no brain ? no headaches ! "
pour " 3h10 ", c'est vrai que dans l'ensemble, la violence est choquante, mais réaliste, loin du code Hayes( ça s'écrit comme ça ? )
mais je trouvais tous les personnages assez construits, complexes, ambigus à souhait...
et la fin est surprenante, loin des stéréotypes, et bien ouverte...
mais j'avoue ne plus me souvenir très bien de l'original
HOCHET Gabriel a écrit:Si je compare le souvenir, très net, que j’ai de l’original, et la bande annonce du remake.... Y’a pas photo, au détriment du remake.... Mais bon, c’est pas du jeu....
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